Two of the Worst Things That Could Happen Just Happened

Posted 6 CommentsPosted in Getting Published

Thing 1: I received a very kind, but deadly letter from an agent. He had read the first two chapters and told me that he couldn’t connect with the concept and wasn’t interested in representing me. Standard. I’m used to this by now. But he continued with “A little friendly advice. My girlfriend, who is a novelist (she has a different agent—that would be weird), had a novel like this. After battling with it for a couple years, she moved on to a new idea, even thought it hurt to leave the old book behind. That new idea became her first published novel. I suggest you do the same.” Was the story that I had worked over five years to create substandard and doomed to failure? When in doubt run screaming to your editor. I took Jessica out to lunch and had her read the letter. She skimmed it, set it aside and got down to business. The story is fine, she said, but the… Read More »

Six more Steps Along the Road to Finding an Agent

Posted 5 CommentsPosted in Getting Published, Young Adult Fantasy

1: Go over the OryCon critiques and rewrite the first three chapters of The Remaking of Molly Adair and Molly Adair, Beware. Ron Root, a writer friend, gave me a valuable piece of advice about rewriting the first chapter of The Remaking. We were sitting in a bar at OryCon and I was whining to him about how I was having trouble figuring out how to fix the damn thing. “The reason the chapter is weak is because Tracy’s character is flat and no one understands who he’s supposed to be,” Ron said. “I’d go back and do an in-depth character profile on him before I even thought about rewriting.” So I got out the trusty Character Template he’d sent me and filled it in for Tracy Bliss. It covers everything from physical description, to mannerisms, to fears, to desires, to religious philosophy, to strengths and weaknesses. By the time I was done, I knew just what I needed to change in the first chapter.… Read More »

OryCon 32

Posted 2 CommentsPosted in Getting Published, Young Adult Fantasy

As sci-fi/fantasy conventions go, OryCon is medium sized, has a good, steady following, and has been around since the late seventies. It’s Oregon’s only convention of this sort. I was told that all the others failed in their first few years. Even though OryCon is packed with writers and thought provoking writers’ panels and workshops, it is a very different sort of gathering than the Willamette Writer’s Conference. WWC has a serious air about it. Writers go there to pitch their manuscripts, network, and improve their techniques by attending excellent workshops. OryCon is an extravagant outpouring of fans’/writers’ love of science fiction and fantasy, and their joy at being with over a thousand other excited people who are ready and willing to talk for hours about the genre and all the philosophies and ideas connected with it. “It’s my yearly dose of sanity,” quipped one conventioneer. And the costumes were fabulous. Wizards conversed with pirates and steampunkers strolled down the halls with barbarians. In fact,… Read More »

OryCon and Lake Oswego High School

Posted 2 CommentsPosted in Getting Published, Tarot, Young Adult Fantasy

And what, you may ask, do OryCon and Lake Oswego High School have in common? They both are sources of critiques for my manuscripts. OryCon is a huge Science Fiction/Fantasy convention that’s been around since the late seventies. I’ve never been before and I can’t imagine why, it looks like fun. How could it not be with over 1,500 sci fi/fantasy lovers all in one place? At the OryCon Writer’s Workshop I’ll get a fellow writer’s and a pro’s critique on the first 7,500 words of both my manuscripts for just $10 apiece. Such a deal! Of course, this means that I had to critique two manuscripts. The ones I received were Vampire Seminarian by Jeff Nichols and Tales from the Curr’s Head by Anna Lewis. They were fun to read and I was surprised at how inspiring and instructive it was. Looking at another writer’s work, seeing what they do well and not so well, and thinking about what it needs to make it… Read More »

Vampires and Synchronicity

Posted 1 CommentPosted in Getting Published, Synchronicity

So how’s this for synchronicity? I submitted the first 7500 words (about three chapters) of both “The Remaking of Molly Adair” and “Molly Adair, Beware” to the Orycon writer’s workshop. This is a great deal. You meet with two published authors and another writer who has submitted a manuscript. One pro critiques your manuscript and the other critiques the other author’s. The two submitting authors critique each other’s manuscripts. So you get two valuable critiques and the chance to ask two published authors questions about your manuscript. The whole thing costs $10. I have been dithering about my second manuscript. Much as I hate to join the throng of YA fantasy authors who are writing about vampires, I’ve decided to add one to my cast of characters. The piece of information that Molly needs will have more impact and drama if it comes from vampire’s cold, red lips. However, I know nothing about vampires, and started plotting a quick and painless way to learn about… Read More »

The 2010 Willamette Writers Conference

Posted 8 CommentsPosted in Getting Published

The Willamette Writers Conference is a smorgasbord with enough fabulous offerings to tempt even the most fastidious author. First and foremost, there are hundreds of other writers wandering around. The ones I got to talk to were more than happy to tell me what they were writing about. I heard one amazing tale after another, told by the very person that dreamed it up—the best entertainment in the world. For example, Dylan Romero is writing a book about his pilgrimage to Santiago de Compostela, one of the top three Christian spiritual journeys. He came to the conference in a pair of rock climbing slippers with a compartment for each toe, the very shoes he wore as he hiked over the Pyrenees Mountains and through the northern Spanish plains. He isn’t Catholic or even particularly spiritual. He didn’t have any epiphanies. But the simple act of getting up and walking everyday healed his soul. I hope he writes it like the amazing Hero’s Journey that it… Read More »

Four Steps to Finding an Agent for THE REMAKING OF MOLLY ADAIR

Posted 9 CommentsPosted in Getting Published

1: Pitch to Agents and Send out Query Letters. I attended the 2008 and 2009 Willamette Writer’s Conferences and pitched to several agents. Five of them asked to see the first few chapters of the manuscript and all of them rejected it. I’ve also sent out about 15 query letters—all of which were rejected. 2: Rewrite! Rewrite! Rewrite! After much soul searching and many sleepless nights, I decided that it was possible that all those agents weren’t pretentious Neanderthals. Maybe my precious manuscript that I’d rewritten and revised so many times still needed work. So, with the help of a merciless editor, Jessica Morrell, and a marvelous writer’s group, I rewrote the manuscript a few more times. Their sort-of-gentle criticism, insights, and encouragement transformed me into a better writer and The Remaking of Molly Adair into a vastly improved story. Since lots of beginning writers make the same mistakes that I did, it might be useful for me to confess my literary sins.  I… Read More »

Announcing: THE REMAKING OF MOLLY ADAIR, a YA Fantasy and Tarot Primer

Posted 24 CommentsPosted in Getting Published, Tarot

At last! After countless revisions, The Remaking of Molly Adair, a young adult fantasy I’ve been working on for the past five years, is finished–I think. The tale begins when 16-year-old Molly Adair falls into a parallel universe with only a deck of tarot cards and a cranky, black cat for guides. She knows she doesn’t belong there, but she’s not sure she really belongs in her world either. She is still in shock over the loss of her parents; she’s just moved in with her prickly grandma, who’s a total control freak; and she’ll be starting her junior year in a strange high school. As she struggles to return to Portland, Oregon, Molly confronts the archetypes and challenging lessons of each major arcana tarot card. The first person she meets is Tracy Bliss, a young vagabond who pulls her clawing and screaming out of a black limbo and into Damia. Asmodius, a large black cat, who is a powerful mage, offers to be her… Read More »